Tomorrow CYV is lucky enough to host the godfather of digital DJin and the controllerism movement – Ean Golden – at our San Francisco monthly – Bangers & MASH. We’ve been working on this event for quite some time and its gonna be HUUGE !!
Ean’s accomplishments in the DJ industry are world renowned. He introduced the midi-fighter controller in 2009 with industry leading build quality and a ground-breaking mapping. Propelled by Ean’s mind-blowing live perfromances Midi-Fighter was an instant success. He followed up in 2010 with the Novation Dicer which is now the industry standard for digital vinyl djs. One year later Ean worked closely with Native Insturments to bring us a product that literally reinvented digital DJing. Traktor S4 is to digital DJin what the iPhone was to cellphones, hands down the most revolutionary thing to hit the DJ world in the past decade. Traktor S4 has gone on to be the number one selling all-in-one controller in a category it invented. Ean continues to bring us revolutionary product developments through his own djtechtools.com including revamped Midi-Fighter controllers, custom high visibility knobs, and a curated selection of dj accessories – only the best of the best.
His live performance uses a palette of custom controllers: various bass heavy genres are effortlessly blended together into a show that merges art and technology in a meaningful way. Part rock show, part controllerism performance and part dj journey, Ean really puts everything on line at every performance taking it far beyond a traditional dj.
1. Ragnar Grippe – Ten Temperaments: 2
2. Ike – Ribbons
3. DJ Hell & Anthony Rother – German Bodymachine
4. 11:11 – Tourist Trap (Renaissance Man remix)
5. Unique 3 – Weight For The Bass (3 Ton Edit)
6. Michna – Redline Flights
7. Tevo Howard – Spend Some Time (Underground mix)
8. Martyn – Masks
9. The Swiss – Double Or Nothing (Renaissance Man Remix)
10. 5 Mic Cluster – Basildon Lover
11. Aquarius Heaven – Universe
12. Renaissance Man – Stalker Humanoid
13. Dexter – Space Booty
14. Instra:mental – User
15. The Other People Place – Let Me Be Me
It seems as though any sound is up for grabs in Renaissance Man’s studio. The Finnish duo sampled spraycans on their 2009 debut through Dubsided; used scat singers and (synthesized) insects on Made to Play; and chopped-up religious chants via Sound Pellegrino. Their forthcoming album, The Renaissance Man Project, runs even further with this approach. Ticking clocks, ping-pong balls, fireworks and sitars are just a few of the overt sonic sources, although many of the tear-out inclinations of Downtown and Jaxxon’s previous releases have been scrubbed from the palette, leaving behind an air of experimentation and genre explorations.
The album might not be suffused with the kind of classic electro flavours present throughout RA.273, but that just serves to illustrate the breadth of Renaissance Man’s purview these days.
What have you been up to recently?
Finishing an album, making another album, enjoying the perks of global warming in Helsinki, preparing our first live show, making a video, writing a book.
How and where was the mix recorded?
Live on a Sunday morning on a rusty container ship hosting a 72-hour fetish party, sailing in the extra-legal international waters of the Baltic Sea. Or on Ableton Live in Ville’s flat in Berlin. One can believe either of the stories but the first-mentioned provides a better mental setting for its full appreciation.
Can you tell us about the idea behind the mix?
It’s a concept-free representation of what we are playing out at the moment; a healthy dose of different styles, old and new.
Where are you at musically at the moment? There seems to a strong
(proper) electro current running through the mix.
True. Lately we have found ourselves digging, playing and rediscovering a lot of electro-ish stuff. Growing up in the Finnish electronic music scene one could not avoid the influence of artists such as Mr. Velcro Fastener, Mono Junk, ImatranVoima, Helsinki Bass Machine (who is, by the way, featuring under a different name on our upcoming album) and their likes. Not to speak of the DJ’ing of K-X-P’s KaukoLampi or the legendary Helsinki Turbo parties. So it’s in our blood but perhaps a bit more explicit than earlier.
What was behind your decision to leave Helsinki?
Well only half of RM (Ville) left Helsinki more permanently. It’s the usual story, being a music producer, moving to Berlin. Helsinki is a small city and Finland a small country relatively far away from the rest of the European “scene.” It still has great events (like Flow Festival) and a few nice clubs, but we find ourselves playing mainly elsewhere.
What are you up to next?
Touring both DJ’ing and with our live show. Ville is also working on a new musical project, Millennium, with City Slang artist Norman Palm and on a mysterious project called Madgermany with writer Ingo Niermann. Martti’s book Solution Finland: The Welfare Game will be out in the fall on Sternberg Press. We are also working on a literary compendium to the album with the London-based design collective Åbäke. And of course, new Renaissance Man material is already in the works.